Maghawir el Leil(a)

Leave it to Lebanon’s growing pains to get me writing again. I’ve been so wrapped up in other media and projects that my fingertips haven’t been still long enough to weave a coherent paragraph of word strings.

Last night, I went to the stars. I needed to be off the grid to get back on it, to reposition myself, to be aware that my time on this third rock from the sun is finite and, ultimately, negligible. Marcus Aurelius said, “what we do now echoes in eternity” and getting lost in a snapshot of the universe will remind you that you are a blip on the timeline of this planet, the planet that is slowly dying because no one feels like their choices have any impact. We want fewer motorcycles on the road but we want shawarma delivered to our doorstep at midnight. We want freedom of speech but we want to silence music or mask art that are reflections on and of our societal structures.

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“Remember when music used to sway us?” – Lyrics from Comrades by Mashrou Leila

Khalil Azar, the cognoscenti of the astroadventurer group, BeirutVersus, mapped out where we were in relation to our geolocation and the summer season. A concept that stuck with me from his intro was that of Jupiter and its 3 moons. Gravitationally bound to one another, the system stabilizes as they resonate in space. In the sea of the Milky Way that flows out of the teapot asterism across the sky of Kfardebian, that glimmer of cosmic kinship was solacing.

The thought of entities orbiting harmoniously in vast darkness is the way we keep spinning and allowing for life to persist. We each have our own moons keeping us stabilized in a world that is geared to always veer into chaos. The second law of thermodynamics roughly dictates that we are not supposed to stabilize, that there is a constant loss of energy available to do work, that entropy will only increase as we continue to exist. No wonder the loss of a moon can throw you into a tailspin.

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Last night’s universe by Anthony Ballouz



As Khalil continued to break down the stars with Arabic names, including the three that make up the Summer Triangle star formation, we quickly saw how influential our part of the world was in celestial documentation. Vega, one of the vertices of this triangle, is a loose transliteration of wāqi which means “falling” or “landing.”

A fellow stargazer then said, Wein kinna w wein sirna.” *
“We’re still here, I said.

And yet, with the youth being shipped out in droves, their bags being packed by their own parents who shove them out the door, the collective attention being sidetracked because of a meme or a lyric while the country is Vega, falling further into decay – are we still here at all? The sky is the most basic record of the past and it could be that we’ve all but vanished to the eyes of beings across the galaxy. All this light is seen from a distance even though we’re long gone. It feels like this place is a sky full of ghosts.


*A phrase that means, where we were versus where we are now

Time on a Balcony


Leaving Beirut, George Maktabi

It’s finally warm enough to sit on the balcony like a real Beiruti. It will only be a few weeks of this before the humidity has us locked indoors until October. I find myself wanting a cigarette just because I have a place to smoke it. A place to watch the smoke dance away from my neighbor’s drying laundry above.

Beirut is so layered, not just in its being but in its literal appearance. Electric cobwebs, satellite dishes, the red air-traffic lights. It’s modpodged like a paper mache landscape of concrete and rooftops. During take-off, as the aircraft would climb into the sky, I used to look down at the cars and be fascinated by the number of people below that would breathe in a day that was removed from mine. I feel that in my own city when I look at a spread of buildings stitched together like a quilt. Who’s in there? What are they worried about tonight? What have they seen? Who are they thinking about? What song is on repeat until they hate it?

Like Greyworm’s other track, loving Beirut’s a bloodsport. I won’t proselytize on that; I’m tired of taking you along on my personal peregrination when it comes to this love/hate thing. I frequently find myself caught between wanting to leave the noise for some time in a tree OR wanting to wander in its streets for a dose of abandoned secrets.

I digress, let’s talk about wine.

I’ve started another side hustle that involves Lebanese vino. You can learn more about it here. During the research process, I once again saw a parallel in enology and viticulture that can be applied to life’s grand design. What can I say, I’m an acolyte of the vine.

I’ve been ruminating about timing.

So much of making wine is dependent on timing. When to prune the vines, when to pick the grapes, when to bottle the blend, when to uncork the bottle. Pick the grapes too soon and they’ll be underripe and just shy of the desired sugar level. Wait too long, and they’ll be plump with diluted flavor. Open the bottle on a Thursday solo and you’ve just sentenced a Syrah to death-by-cooking the following week because you didn’t plan on finishing it off alone. Much like the orbiting objects on our mobile of life, there is no strict formula that will tell you when things should happen. There’s a rough suggested timeframe but, in the end, you go with your gut and sometimes your gut lies because it wants to get to the goods, the end, the wine.

You can see that patch of grass on AUB’s Green Oval calling out to you and you kill 30 minutes lying there listening to your WORKOUT playlist. But you can miss the poppy blooms in the South because you kept delaying the drive. You can meet the one when you’re a zero and it won’t match up because human romance isn’t a binary code. You can see that gig winking at you from across the ocean but you’re knee-deep in the soil, roots wrapped around your ankles like sea anchors. You can want the timing to be right but it’s just not. There’s more to do, it’s not the right time, says your gut. Timing laughs and you’re thinking, I’m trying to navigate here, asshole. Timing can be such a Moby Dick.

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But then there’s that chilled rosé you pulled from the fridge, that frosty glass on your balcony at 6pm on a Sunday, that lingering sunshine that just hugs your skin with a tenderness that sweat beads are afraid of.

In the rush of it all, that’s a single drop of perfect timing.

It’s a Love/Hate Thing

“It’s a love/hate thing” is what I’ve been replying to the “what’s Beirut like?” question. To the Lebanese transplants and Lebanese-Americans, all respond in varying levels of comprehension of that phrase. The younger the company, the higher the understanding. I’d chalk that up to the youth needing to be hopeful that there is something to go back to, that there is something worth saving, that we’re still too naive to realize how much our country won’t do for us as we age.

After moving into my own apartment in Beirut, I planted my roots deeper within the city. I chose to try Beirut in full capacity and it’s given me so much mental stability but I know that this is only relative to my current state as a single, unattached person working for the family. Providing kibbles for my cat on the daily does not sway me to change coasts but it may be different if I were thinking about my kid’s access to a backyard or my parents’ retirement. The love/hate thing may not have enough love to balance out in the long-run.


I’m 3 civilizations deep into my ageless city but will I ever stop asking this question?
Will Lebanon ever stop being followed by a question mark?

Beirut has given me my temperament. I am passive or aggressive but never both. It is either worth the confrontation or not worth the acknowledgment. In California, there are sources of calm. GMO-free sunshine that doesn’t make you sweat. The blooms from the heavy rainfall have wrapped the hills in green. It’s all rigged in a way. Less hassle, less pressure points, less weight on your chest. Fewer acupuncture needles poking at you in the form of a basic need not being met, one that you’ve paid for twice. Not just because of the Apple stores of weed or the proximity to waves but is anyone ever angry here? Could I create without the discomfort that Beirut provides? Is that a necessary ingredient for creation or am I just convincing myself that it is?

LA is this place that reminds me of my younger self when my worries were getting home before curfew or enduring another Thursday morning class about plants. Even the yearly catch-up sesh with airport security feels like a moment to review what’s changed since I last got randomly selected. Some know how to show what feels like genuine interest when essentially interrogating you. After talking to Rick,* the US customs agent from New York, for a half hour before boarding my LA-bound flight in Paris, he says, “you’re a strange bird.” That and his encouragement to open a doughnut shop in Beirut makes me think we could’ve been friends if we were talking in the terminal’s Starbucks line, if we weren’t meeting like this, if he wasn’t being paid to inspect my existence. He even tells me that he likes to just have a conversation with flagged passengers because you catch more flies with honey, right?

LA is this mirror that asks, “shu?” with a twist of the wrist, the same way my uncle does when he asks what kind of grilled meat I want. I’m removed enough from Beirut to take a look at the reflection. To realize I might’ve missed parts of LA but buried the memories that resurface with every uprooting. That darker, slimmer version of you with miles of highways and swaying trees. LA is that ex-boyfriend you thought you forgot. The one you thought you didn’t miss until you felt his heat under your fingertips. That one that felt familiar but existed only in simulation, only under perfect circumstances, only on the set of a Hollywood movie. That one that teases you with whole coffee beans and painted lady butterflies. It’s not real and it doesn’t know you anymore.

Or does it?

LA, as my home away from home, serves the purpose of reminding me what I should not be complacent about back in Beirut. From the most nuclear (eating habits, writing frequency, trading in road-trip curiosity for mornings with a laundry basket) to the most communal (recycling, inconsistent utilities, lack of green space, customers who’ve lived in America so they know better than you, expensive Brussel sprouts, the amount of gas left in my dull-first-dates tank). It’s not taunting me so much as it’s saying, “remember when you wanted this?”

It’s not about looking for it here but attaining it from where I am now, for now: my bubble in Beirut.


*name changed

Thank You for Stopping By

Every February marks the anniversary of the blog (7 years!) and my birth. It also is the anniversary of the passing of my friend, Raja. I didn’t know him as well as I would’ve liked but he was one of the first people to read this blog. Throughout high school, Raja was the child prodigy who published a book at 15. He encouraged me to write and he encouraged others to read what I wrote. In the days when I was attempting to be anonymous, I knew that at least Raja was reading my public words. Part of me hopes he still is somehow.

Truth is, we were never that close and that’s what I’ve been mulling over this week. During the days that lead up to Valentine’s, a day which makes you evaluate the level of love you’ve chosen to allow into your perimeter, I thought about the guest stars in your personal series. Those that could potentially become a permanent cast member but end up being written off too soon, and not necessarily through death. They play a role, possibly very minor versus the headliners, and exit stage left after they’ve read their lines. You may not even learn their name. The impact of the interaction or just a statement they say can be something that stays with you longer than their own physical presence.

My parents throw out quotes of strangers they met on planes like they’re reciting proverbs, wise words of an art collector they met one summer before El Nino wiped out beach houses, a family lesson from a nameless neighbor who watched me grow up. I see these visitors being logged into my own narrative too. They need to be transcribed somewhere as a thank you for a sentence or a push that pulled you out of a gray day or energy that charged you for free. A brief moment where you got tangled in their light stream, unraveled, and kept moving into infinity.

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Uber drivers, that high-heeled mom who help me haul a shelving unit into the trunk in the Costco parking lot, that customer service hotline rep who laughed at the ON HOLD music with me, the carpenter on the corner who told me about his days in a German publishing house, the lady winemaker of the North who teases me for rejecting her olive oil because I’m obviously from the South. I cherish these pockets of humanity and the bits of unsolicited advice you catalog and retrieve on command.

This Valentine, and every once in a while, pop open the caisson and sift through the memories of those who left a smidgen of a mark on you. Love doesn’t always have to be grand. For a few, it can be just love and that still counts.

Lost Time is Never Found Again

My sister has been sending me memes on Instagram that hit the nail on the head each time given what’s going on with me in parallel. The below was a few weeks before the launch of my podcast:
In the same week as reading this article about millennials being the burnout generation, mapping out a trip in June, and tweaking a business plan, she hit me with this one:
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Even decisions feel like accomplishments in the age of endless options and bullet points we voluntarily add to to-do lists. January is that month that gets you thinking about time and where you’re throwing it away. My resolution every year, without fail (or with?), has been to learn how to allocate my energy efficiently. To learn how to do more by doing less. Being selective with where you invest a finite resource (time) is a practice that needs to be consciously put into action when it comes to social, personal, and communal intersections. This is in all avenues, not just professional. That’s not to say that you only invest in the permanent or forever but to choose what’s worth it at all.

A friend of mine shared a Facebook status about his change of heart toward activism and choosing different battles. From long-haul fights like the political change in a young, dysfunctional country to even the most fatuous like having that third beer on Sunday night. It’s about trading the time for the fuel rather than the fire that will surely go out.

You’re swimming in multicolored post-its that will shape tributaries that you’re supposed to wade through to write a book that no one but your mother will read. You’re hopping through your own Bandersnatch without a back button. Is this where you want to pour your perspiration? Is there a campsite on the way to that summit? Is there a summit? Is there a pause?

A pause to let it yistéwe (Arabic for letting a stew cook through). A slow boil on low heat so the meat drips off the bone and the tender decision is soft and succulent. It’s not rushed and chewy, it’s cooked in fat juice and breaks down at the touch of a tongue. It’s fulfilling and digestible. It’s spreading the butter effectively so it soaks into the grain, it coats the bread and begs for rosemary & sea salt. Man, I’m going to miss the carbs of 2018.

I’m caught between wanting to write more but happy that what I do write is worth every peck at the keyboard. But I want to fill folios and I want to create. Fewer tabs, more pages. Fewer pixels, more paper. Less ephemeral nothingness, more tangibility. I want to become a creative machine in terms of production and expression but not in terms of pumping out identical cups of tasteless flan. Give me creme brulee or give me death. How much is too much? How much is not enough?

I want to write. I want to write. I want to write. I want to paint my life. Earthy, deep vermillion from wine and the soil that squeezes it tight, green from grape and olive leaves, and milky gold from sandy stones with wrought iron detailing. I want to paint my life with the palette this country gives me and the stories it hides under every fallen veranda.
But in order to make, you need to make time and found time is never lost.

I Don’t Want to Write about Death

IMG_7105But it seems to keep happening. Death, I mean. Not the writing about it part although it tends to stir up pestilential thoughts that end up here.

It’s inescapable.

Last month was zeitoun season, when those of us whose families have olive groves start to argue over how many tankeit zeit you get from the pressed share. Of all the years I’ve lived here, and although the trees only carry enough fruit to warrant harvest and oil production every other year, I never went to see the olive-picking occur on my grandparents’ land. It seemed strange that I’d developed such a love for vines but hadn’t taken advantage of the access to our own crop of the green elixir that goes on everything. Wine may be a passion but olive oil is in my blood. I almost missed the harvest this season too as my weekends were wrapped up in incoming boxes of wine or the trivial tasks that, at the moment, seem more important than witnessing nature do her thing.

Because you always have more time, right?

But then something happened that made us put life matters on hold: death. My teta fell asleep forever in her home of the South surrounded by the olive trees. It was a Tuesday that brought us to her before the zeitoun were all picked and gone that weekend. The cigarettes, the stacked plastic chairs, the Advil and Panadol flowing like sugar cubes, the tissues and bottles of water, those ugly, coral coffee cups. Coral. What a perfidiously fantastic adjective for such a dull funerary necessity. Teta let me see the olives and the most wonderful palette of color in a sea of black and coral.

Death has this way of slapping you with so much truth. Anthony Bourdain. Gavin Ford. The media gives you this false sense of knowing. You’ve lost a travel buddy, whether he was showing you the feijoada of Brazil or helping you open your eyes before a dreaded 8AM T/R Plant Physiology elective that you foolishly registered for. Like how Bourdain had deep pain, as we all do, even if he was being paid to explore the world with his stomach. Like how Gavin, our morning companion, was murdered and violated posthumously by the audience that loved him. Like how his British passport may bring him faster justice but evokes more shame because this is how we treated our adopted patriot. Like how I feel I knew them better than my own grandmother.

Before her heart affected her memories, she used to use her kibbeh bil saniyyeh or djeij bil forn to entice me to visit. My dad says she lived for everyone else and I feel like I missed the chance to find out about the parts when she didn’t. Because I know they exist. All children forget that their mothers have lives beyond them. When she met my maternal grandmother in California, they knew how to communicate although neither spoke the other’s language. Even though she’d ask my female cousins about romance, she’d ask me about work. She knew how to read people more than words. I think my sister has her hands. We weren’t that close but it’s been almost 40 days and every olive I see reminds me of her.

There are glimmers of life that arise from death. Like the trees that sprout out of the rooftop of the dilapidated Holiday Inn. Like the birds returning to their nests in the bullet hole scars of my war-time building. Like the thought that teta maybe, just maybe, has been reunited with my jiddo after three decades apart, half of which he was still alive for.

But that’s another death for another day.

For now, a star was put out and the world lost some of its light. Mornings will be a tad grayer. As a nation, it’s a good thing we’re used to being in the dark.

I Fell in Love Once

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I was sitting at Gordon’s Cafe across from the Nahar Building in Downtown Beirut, having another lunch break with my boss, who also happens to be my dad. I said, “I think I should write a book.” He agreed but asked about what.

“Who’s story would you tell?”

He paused and said, “but who wants to read about your life?” I have to thank dad for keeping me grounded in my own insignificance up against the Malalas of the world. I am not special, I am not more than what I am. I do not love more than I do. But my story is the only one I know, the only one only I can tell.

I fell in love once.

Like the Common joint that addressed hip-hop like it was a woman, I wrote about Lebanon like she was the boy I fell for in my early twenties. When I wrote about her, it felt like I was writing about him too but my love was hers, he was just the gateway drug that would keep me coming back to her for another hit. And I kept coming back to her. For a while, I confused the two. They were one, his memory so intertwined in the memory of a lost city I never inhabited. Like the nostalgia that overtakes a fallen nation’s countrymen, remembering only the highlights of what once was, he became my Beirut in the 60s. It was after he was gone, only after I let him go, that I saw her. And with time, I saw myself letting go of her too.

And even then, when I chose to leave knowing that sunflowers and sunshine were on the other side, the day I left for LA, she made me cry.

I was walking along the Manara Corniche, right across from the rickety Ferris wheel when I spotted graffiti of the word tabki (تبقي) on the wall. There are two letters in Arabic for the K sound – one that is more guttural, more back of the throat and then there is one that is softer, more delicate. Even their shapes reflect this personality. When used in words, like say in the word tabki, you get different translations. The heavy ka makes it translate to stay. The soft ka makes it translate to cry. The two words encompass what living in and leaving Beirut can feel like each time you pack a suitcase with a bag of pita bread and a jar of zaatar Halabi. When you stay you will cry for all the things she cannot do for you and all that you could do if you left. And when you leave, you will cry for all the things you cannot do for her and all that you can do without her. It seems tears accompany that question of when will you return? regardless of where you’re returning to.

Beirut is broken and beautiful. In your arrogance, you want to save her but she never needed rescuing for she is the survivor in this round of sudden death. She will outlive you just like she outlived all who loved her before you. Perhaps you’re the one who needs rescuing while you’re convinced you’re her savior. Perhaps it gives you purpose as she can keep breathing while you suffocate beneath her. She may be broken but that is all she knows. And it’s the only way you know her, the tragic her, but she’s not waiting for you to love her.

Her. Beirut is a woman. Her sounds under your skin and her songs in your head. Her smell inhaled and trapped in your chest, sticking to your insides like the black tar that lines the jagged roads to the airport. Seductive through her own endless destruction, pulling you into her and throwing you into the gutter of an unpaved side street draped in a web of cables, white undershirts, and mass graves of fiery garbage. She is intoxicating like a night filled with too much wine & laughter, an afternoon of diesel smoke and Fayrouz on repeat, a morning breeze with mustached fishermen that live in the throes of the Mediterranean waves.

She is your fantasy, your nightmare, your runaway dream that infects you, defines you, depletes you, defeats you, and deceives you.

Beirut is a woman because she gets up and leaves you.
Even if you can’t leave her.

So it’s true: I fell in love once. With her, with my Lebanon, over and over again.