It’s a Love/Hate Thing

“It’s a love/hate thing” is what I’ve been replying to the “what’s Beirut like?” question. To the Lebanese transplants and Lebanese-Americans, all respond in varying levels of comprehension of that phrase. The younger the company, the higher the understanding. I’d chalk that up to the youth needing to be hopeful that there is something to go back to, that there is something worth saving, that we’re still too naive to realize how much our country won’t do for us as we age.

After moving into my own apartment in Beirut, I planted my roots deeper within the city. I chose to try Beirut in full capacity and it’s given me so much mental stability but I know that this is only relative to my current state as a single, unattached person working for the family. Providing kibbles for my cat on the daily does not sway me to change coasts but it may be different if I were thinking about my kid’s access to a backyard or my parents’ retirement. The love/hate thing may not have enough love to balance out in the long-run.


I’m 3 civilizations deep into my ageless city but will I ever stop asking this question?
Will Lebanon ever stop being followed by a question mark?

Beirut has given me my temperament. I am passive or aggressive but never both. It is either worth the confrontation or not worth the acknowledgment. In California, there are sources of calm. GMO-free sunshine that doesn’t make you sweat. The blooms from the heavy rainfall have wrapped the hills in green. It’s all rigged in a way. Less hassle, less pressure points, less weight on your chest. Fewer acupuncture needles poking at you in the form of a basic need not being met, one that you’ve paid for twice. Not just because of the Apple stores of weed or the proximity to waves but is anyone ever angry here? Could I create without the discomfort that Beirut provides? Is that a necessary ingredient for creation or am I just convincing myself that it is?

LA is this place that reminds me of my younger self when my worries were getting home before curfew or enduring another Thursday morning class about plants. Even the yearly catch-up sesh with airport security feels like a moment to review what’s changed since I last got randomly selected. Some know how to show what feels like genuine interest when essentially interrogating you. After talking to Rick,* the US customs agent from New York, for a half hour before boarding my LA-bound flight in Paris, he says, “you’re a strange bird.” That and his encouragement to open a doughnut shop in Beirut makes me think we could’ve been friends if we were talking in the terminal’s Starbucks line, if we weren’t meeting like this, if he wasn’t being paid to inspect my existence. He even tells me that he likes to just have a conversation with flagged passengers because you catch more flies with honey, right?

LA is this mirror that asks, “shu?” with a twist of the wrist, the same way my uncle does when he asks what kind of grilled meat I want. I’m removed enough from Beirut to take a look at the reflection. To realize I might’ve missed parts of LA but buried the memories that resurface with every uprooting. That darker, slimmer version of you with miles of highways and swaying trees. LA is that ex-boyfriend you thought you forgot. The one you thought you didn’t miss until you felt his heat under your fingertips. That one that felt familiar but existed only in simulation, only under perfect circumstances, only on the set of a Hollywood movie. That one that teases you with whole coffee beans and painted lady butterflies. It’s not real and it doesn’t know you anymore.

Or does it?

LA, as my home away from home, serves the purpose of reminding me what I should not be complacent about back in Beirut. From the most nuclear (eating habits, writing frequency, trading in road-trip curiosity for mornings with a laundry basket) to the most communal (recycling, inconsistent utilities, lack of green space, customers who’ve lived in America so they know better than you, expensive Brussel sprouts, the amount of gas left in my dull-first-dates tank). It’s not taunting me so much as it’s saying, “remember when you wanted this?”

It’s not about looking for it here but attaining it from where I am now, for now: my bubble in Beirut.


*name changed

Thank You for Stopping By

Every February marks the anniversary of the blog (7 years!) and my birth. It also is the anniversary of the passing of my friend, Raja. I didn’t know him as well as I would’ve liked but he was one of the first people to read this blog. Throughout high school, Raja was the child prodigy who published a book at 15. He encouraged me to write and he encouraged others to read what I wrote. In the days when I was attempting to be anonymous, I knew that at least Raja was reading my public words. Part of me hopes he still is somehow.

Truth is, we were never that close and that’s what I’ve been mulling over this week. During the days that lead up to Valentine’s, a day which makes you evaluate the level of love you’ve chosen to allow into your perimeter, I thought about the guest stars in your personal series. Those that could potentially become a permanent cast member but end up being written off too soon, and not necessarily through death. They play a role, possibly very minor versus the headliners, and exit stage left after they’ve read their lines. You may not even learn their name. The impact of the interaction or just a statement they say can be something that stays with you longer than their own physical presence.

My parents throw out quotes of strangers they met on planes like they’re reciting proverbs, wise words of an art collector they met one summer before El Nino wiped out beach houses, a family lesson from a nameless neighbor who watched me grow up. I see these visitors being logged into my own narrative too. They need to be transcribed somewhere as a thank you for a sentence or a push that pulled you out of a gray day or energy that charged you for free. A brief moment where you got tangled in their light stream, unraveled, and kept moving into infinity.

Screen Shot 2019-02-15 at 5.13.03 PM

Uber drivers, that high-heeled mom who help me haul a shelving unit into the trunk in the Costco parking lot, that customer service hotline rep who laughed at the ON HOLD music with me, the carpenter on the corner who told me about his days in a German publishing house, the lady winemaker of the North who teases me for rejecting her olive oil because I’m obviously from the South. I cherish these pockets of humanity and the bits of unsolicited advice you catalog and retrieve on command.

This Valentine, and every once in a while, pop open the caisson and sift through the memories of those who left a smidgen of a mark on you. Love doesn’t always have to be grand. For a few, it can be just love and that still counts.

Lost Time is Never Found Again

My sister has been sending me memes on Instagram that hit the nail on the head each time given what’s going on with me in parallel. The below was a few weeks before the launch of my podcast:
In the same week as reading this article about millennials being the burnout generation, mapping out a trip in June, and tweaking a business plan, she hit me with this one:
whatsapp image 2019-01-15 at 1.45.57 pm
Even decisions feel like accomplishments in the age of endless options and bullet points we voluntarily add to to-do lists. January is that month that gets you thinking about time and where you’re throwing it away. My resolution every year, without fail (or with?), has been to learn how to allocate my energy efficiently. To learn how to do more by doing less. Being selective with where you invest a finite resource (time) is a practice that needs to be consciously put into action when it comes to social, personal, and communal intersections. This is in all avenues, not just professional. That’s not to say that you only invest in the permanent or forever but to choose what’s worth it at all.

A friend of mine shared a Facebook status about his change of heart toward activism and choosing different battles. From long-haul fights like the political change in a young, dysfunctional country to even the most fatuous like having that third beer on Sunday night. It’s about trading the time for the fuel rather than the fire that will surely go out.

You’re swimming in multicolored post-its that will shape tributaries that you’re supposed to wade through to write a book that no one but your mother will read. You’re hopping through your own Bandersnatch without a back button. Is this where you want to pour your perspiration? Is there a campsite on the way to that summit? Is there a summit? Is there a pause?

A pause to let it yistéwe (Arabic for letting a stew cook through). A slow boil on low heat so the meat drips off the bone and the tender decision is soft and succulent. It’s not rushed and chewy, it’s cooked in fat juice and breaks down at the touch of a tongue. It’s fulfilling and digestible. It’s spreading the butter effectively so it soaks into the grain, it coats the bread and begs for rosemary & sea salt. Man, I’m going to miss the carbs of 2018.

I’m caught between wanting to write more but happy that what I do write is worth every peck at the keyboard. But I want to fill folios and I want to create. Fewer tabs, more pages. Fewer pixels, more paper. Less ephemeral nothingness, more tangibility. I want to become a creative machine in terms of production and expression but not in terms of pumping out identical cups of tasteless flan. Give me creme brulee or give me death. How much is too much? How much is not enough?

I want to write. I want to write. I want to write. I want to paint my life. Earthy, deep vermillion from wine and the soil that squeezes it tight, green from grape and olive leaves, and milky gold from sandy stones with wrought iron detailing. I want to paint my life with the palette this country gives me and the stories it hides under every fallen veranda.
But in order to make, you need to make time and found time is never lost.

I Don’t Want to Write about Death

IMG_7105But it seems to keep happening. Death, I mean. Not the writing about it part although it tends to stir up pestilential thoughts that end up here.

It’s inescapable.

Last month was zeitoun season, when those of us whose families have olive groves start to argue over how many tankeit zeit you get from the pressed share. Of all the years I’ve lived here, and although the trees only carry enough fruit to warrant harvest and oil production every other year, I never went to see the olive-picking occur on my grandparents’ land. It seemed strange that I’d developed such a love for vines but hadn’t taken advantage of the access to our own crop of the green elixir that goes on everything. Wine may be a passion but olive oil is in my blood. I almost missed the harvest this season too as my weekends were wrapped up in incoming boxes of wine or the trivial tasks that, at the moment, seem more important than witnessing nature do her thing.

Because you always have more time, right?

But then something happened that made us put life matters on hold: death. My teta fell asleep forever in her home of the South surrounded by the olive trees. It was a Tuesday that brought us to her before the zeitoun were all picked and gone that weekend. The cigarettes, the stacked plastic chairs, the Advil and Panadol flowing like sugar cubes, the tissues and bottles of water, those ugly, coral coffee cups. Coral. What a perfidiously fantastic adjective for such a dull funerary necessity. Teta let me see the olives and the most wonderful palette of color in a sea of black and coral.

Death has this way of slapping you with so much truth. Anthony Bourdain. Gavin Ford. The media gives you this false sense of knowing. You’ve lost a travel buddy, whether he was showing you the feijoada of Brazil or helping you open your eyes before a dreaded 8AM T/R Plant Physiology elective that you foolishly registered for. Like how Bourdain had deep pain, as we all do, even if he was being paid to explore the world with his stomach. Like how Gavin, our morning companion, was murdered and violated posthumously by the audience that loved him. Like how his British passport may bring him faster justice but evokes more shame because this is how we treated our adopted patriot. Like how I feel I knew them better than my own grandmother.

Before her heart affected her memories, she used to use her kibbeh bil saniyyeh or djeij bil forn to entice me to visit. My dad says she lived for everyone else and I feel like I missed the chance to find out about the parts when she didn’t. Because I know they exist. All children forget that their mothers have lives beyond them. When she met my maternal grandmother in California, they knew how to communicate although neither spoke the other’s language. Even though she’d ask my female cousins about romance, she’d ask me about work. She knew how to read people more than words. I think my sister has her hands. We weren’t that close but it’s been almost 40 days and every olive I see reminds me of her.

There are glimmers of life that arise from death. Like the trees that sprout out of the rooftop of the dilapidated Holiday Inn. Like the birds returning to their nests in the bullet hole scars of my war-time building. Like the thought that teta maybe, just maybe, has been reunited with my jiddo after three decades apart, half of which he was still alive for.

But that’s another death for another day.

For now, a star was put out and the world lost some of its light. Mornings will be a tad grayer. As a nation, it’s a good thing we’re used to being in the dark.

I Fell in Love Once

Screen Shot 2018-09-05 at 2.31.29 PM
I was sitting at Gordon’s Cafe across from the Nahar Building in Downtown Beirut, having another lunch break with my boss, who also happens to be my dad. I said, “I think I should write a book.” He agreed but asked about what.

“Who’s story would you tell?”

He paused and said, “but who wants to read about your life?” I have to thank dad for keeping me grounded in my own insignificance up against the Malalas of the world. I am not special, I am not more than what I am. I do not love more than I do. But my story is the only one I know, the only one only I can tell.

I fell in love once.

Like the Common joint that addressed hip-hop like it was a woman, I wrote about Lebanon like she was the boy I fell for in my early twenties. When I wrote about her, it felt like I was writing about him too but my love was hers, he was just the gateway drug that would keep me coming back to her for another hit. And I kept coming back to her. For a while, I confused the two. They were one, his memory so intertwined in the memory of a lost city I never inhabited. Like the nostalgia that overtakes a fallen nation’s countrymen, remembering only the highlights of what once was, he became my Beirut in the 60s. It was after he was gone, only after I let him go, that I saw her. And with time, I saw myself letting go of her too.

And even then, when I chose to leave knowing that sunflowers and sunshine were on the other side, the day I left for LA, she made me cry.

I was walking along the Manara Corniche, right across from the rickety Ferris wheel when I spotted graffiti of the word tabki (تبقي) on the wall. There are two letters in Arabic for the K sound – one that is more guttural, more back of the throat and then there is one that is softer, more delicate. Even their shapes reflect this personality. When used in words, like say in the word tabki, you get different translations. The heavy ka makes it translate to stay. The soft ka makes it translate to cry. The two words encompass what living in and leaving Beirut can feel like each time you pack a suitcase with a bag of pita bread and a jar of zaatar Halabi. When you stay you will cry for all the things she cannot do for you and all that you could do if you left. And when you leave, you will cry for all the things you cannot do for her and all that you can do without her. It seems tears accompany that question of when will you return? regardless of where you’re returning to.

Beirut is broken and beautiful. In your arrogance, you want to save her but she never needed rescuing for she is the survivor in this round of sudden death. She will outlive you just like she outlived all who loved her before you. Perhaps you’re the one who needs rescuing while you’re convinced you’re her savior. Perhaps it gives you purpose as she can keep breathing while you suffocate beneath her. She may be broken but that is all she knows. And it’s the only way you know her, the tragic her, but she’s not waiting for you to love her.

Her. Beirut is a woman. Her sounds under your skin and her songs in your head. Her smell inhaled and trapped in your chest, sticking to your insides like the black tar that lines the jagged roads to the airport. Seductive through her own endless destruction, pulling you into her and throwing you into the gutter of an unpaved side street draped in a web of cables, white undershirts, and mass graves of fiery garbage. She is intoxicating like a night filled with too much wine & laughter, an afternoon of diesel smoke and Fayrouz on repeat, a morning breeze with mustached fishermen that live in the throes of the Mediterranean waves.

She is your fantasy, your nightmare, your runaway dream that infects you, defines you, depletes you, defeats you, and deceives you.

Beirut is a woman because she gets up and leaves you.
Even if you can’t leave her.

So it’s true: I fell in love once. With her, with my Lebanon, over and over again.


Mistakes Made in Beirut


I’ve done one of the these for LA and NYC but it didn’t occur to me to make a list of mistakes made in my own city. There will probably be multiple parts to this as Beirut is a place where maneuvering to get the basics is an acquired skill.

  • Go to Mikey’s Tacos & Dancing solo three times in a row without a dance partner and leave right after Bachata each time. Never learn Merengue.
  • In an effort to spare yourself from Waterfront traffic and paying Waterfront parking fees, you order an Uber to Biel for your sister’s high school grad ceremony only to find that “Biel” is now somewhere by the Beirut River, not the Beirut Waterfront. You’re late and get to pay for two Ubers.
  • Agree to drinks on a Sunday night assuming it won’t end at Barbar.
  • Order chicken shawarma without extra toum after it does.
  • Wait until the morning to shower only to find there’s no electricity or hot water. Dry shampoo your way through Monday.
  • Get in the car at any time of the day between 8am and 7pm. Listen to a lot of Warda, Abdel Halim, and baby George Wassouf to avoid bitchslapping half your countrymen.
  • Shower and blow-dry your hair before heading to Meats & Bread for lunch. Smell like a spit for 3 days after diving head-first into a plate of ribs.
  • Go on dates with expats and wonder if there are any men left IN the country. Find out there are but stay home because of swiping burnout.
  • Bring said expats to the same bar because it has good music that is loud enough to accompany a conversation. Bartender winks at you because he thinks you’re a player. In reality, you’re just on the Bumble welcoming committee.
  • Adopt a stray kitten. Find out she loves Warda & cheese so you’ve obviously been reunited with your daughter from a previous life. Become one of those people who has an Instagram account for their pet.
  • Park up the street from Barbar to visit a friend nearby. Return after a few hours only to find a YELLOW 50-thou handwritten ticket that is reserved for no parking zones (that’s a thing here?) instead of the 10-thou unpaid surcharge tickets. Never return to Barbar again. That week.
  • Work at a supermarket that regularly has tortilla chips in stock. Sign up at a gym within walking distance but forget that it’s 34 degrees this season. Never walk to the gym.
  • Go to Habibi Club at Grand Factory after an almost-2-year hiatus from the former mattress party venue. Think that 30 is still young so work the next day should be easy. It probably won’t meet your expectations anyway. And then they played every Jnoub wedding song of your strange childhood. Brb, I need to get more Advil.

The Three E’s Sinking My Submarine

IMG_2549As a dual national, I am frequently asked why I’m still here or why I haven’t left yet. You have a second passport, work experience, and degrees – what’s keeping you here when you have a way out? Didn’t you leave? Are you back?

“I’m here until further notice” has been my automated reply.

I am trying to shy away from pouring out more words that hit high on the dazed & confused scale. When I had returned to Beirut in April of this year, after a couple rounds of Pong between here and SoCal, it felt as if I had unlocked the next level of young adulthood at the ripe age of 30.

Being in the USA was an eye-opener: I didn’t have a problem with Lebanon. I had a problem with my living circumstances in Lebanon. Having a separate living space in California allowed for mental somersaults and brain foam rolling. Why did I need to travel over 7000 miles for +20 hours to get it? Without feeling like settling or assuming the big fish, small pond title that accompanies residing in comfort zones, there must be a way to have that within your own city; the same city you’ve invested so much in, socially and professionally. The city you feel you can actually do something for?

I came back with the thought that moving out of my parents’ house was the last ingredient necessary to cook the cheesy casserole and build my fempire, using my own Tupperware and feeding my own cat.

Then the three E’s swooped in and were like oh, you’re figuring it all out?
Let’s fuck some shit up.

The three E’s being Environment, Elections, and Economy.

The country has been treated like a massive wasteland for a couple years now. According to Newsroom Nomad, there are hidden agendas behind all the beach propaganda but that doesn’t erase our trashbag rivers and lack of existence/respect for public spaces. I admit, I had become accustomed to Lebanon morphing into a cesspool and had allowed this to be swept under the tattered Ajami rug. Ultimately, it wasn’t a lost cause and there were plenty of groups with private projects attempting to reverse the damage. Could they turn back the clocks and stop the introduction of incinerators?

When Beirut Madinati lost, it was an inspiring failure. But then the parliamentary elections came. I knew the independents wouldn’t win but when public apathy has reached the stage where people are amused by your belief in the power of the vote, you feel defeated. You feel like the patina of patriotism is chipping off the walls as the mildew creeps through. You feel like you don’t belong here. You feel like you’re the minority and hope is a form of self-sabotage.


And finally, the economy on the brink of collapse, once again. Paying double for utilities can make for killer overhead for any business, particularly one that deals with temperature-sensitive merch (or depends on any form of electricity and/or water).  Salaries and cost of living are atrocious and the market is crippled. Property prices are outrageous and housing loans will rope you in for decades even though you can’t imagine where the next 12 months ahead are going. In between all the ghastly, ghostly towers, our ecru stones and cement tiles are being rolled away in wheelbarrows.

Downward-spiral aside, I have moments where so much love fills my lungs here. When I see grandmas on balconies, when I meet a family growing wine in the mountains, when I’m vegetating on giant pillows under the trees, when I share a meal with an Argentinian chef who’s here to rediscover her Lebanese roots, when I meet expats who are here for a quick dose of kibbeh and the Mediterranean, when I hike with a group of people older than my parents and they use my father’s village as my nickname, when I see Beirut through the eyes of a flabbergasted tourist, when I’m involved in creative work that ties into learning with and about my people, when I’m talking to strangers who instantly become wells of emotion. Lebanon can give and give and give.

But oh, how she can take too.

The short film above (Mounia Akl’s Submarine) resonated with me because, as much as I’ve tried not to, I do have a problem with Lebanon. That question of whether or not you will leave seems to have lost its polarity. For those trying to lead an adult life, leaving has become a question of when because, lately, it feels inevitable.

The Return of Ronnie

In 2013, I’d written about Ronnie Chatah’s walking tour of Beirut followed by an interview. Six months later, in December, Beirut lost Mohamad Chatah, Ronnie’s father, by car bomb assassination and then Beirut lost Ronnie – the ponytailed, neutral navigator that walked groups through her history in shorts and Birkenstocks – as he emigrated to Edinburgh.


When Ronnie left, it made sense. How do you stay confined in a prison of daily reminders of who is gone? How do you continue to share Beirut’s story without touching on personal tragedy? Do you want to when it is so tied to the loss of your hero, someone who defended Lebanon’s potential so vehemently? Can you still tell that story? Can you tell it the same way as you did before?

I was curious to see how and if the tour had changed after such a loss. After travel and separation, I wanted to see if Ronnie had edited chapters of his tour alongside his writings. Even if it’s based on historical events cemented in ochre stone, has our frame of reference changed after 5 years? Have we moved forward? And what brought Ronnie back? Why now?

Ronnie says that, as far as content goes, not much needed refreshing because not much has shifted and that the first reboot this January was only supposed to be a one-off to raise funds for an internship at the Grand Serail that carries his father’s name. And it’s true, the content remains an impressive mini biography of Beirut perfect for seducing new lovers or reigniting the embers of your old flame…yet it was annoyingly the same. Even his trusty sidekick-photographer, Marilyn, is back on the route with him. It was all too familiar for me as a returning guest who’s seen our cyclic tendencies and felt stagnated whenever an expat comes home for a dose of it’s like I never leftAll I thought was, but why hasn’t anything changed? The only progressive step is being able to vote abroad which means our tourism industry will take a hit since people have even less of a reason to return? What have we been doing for 5 years? Coincidentally, SkyBar is back from its own ashes like a phoenix so even the scripted paragraph on the Holiday Inn’s rooftop bar didn’t need an update.

But the whole stroll still wows foreigners and Lebanese hybrids. I visibly see them get infected by Ronnie’s love for the city because that still laces his monologue. You should see the gratitude they grant him after the tour ends at Samir Kassir’s garden. They look like they’re saying, thank you for giving me a piece of your Beirut. That is beautiful.


It’s all the same. The tickets. The map. That is, until Martyrs’ Square. There’s one change in the account, one that he tells me he was wary of adding. Pre-2013, the strength of his tour was the objective account of how Beirut came to be. Just the facts ma’am, make what you will of it on your own. Now though, the penultimate stop of WalkBeirut includes Ronnie’s personal story of his dad’s death. How painfully appropriate that I witnessed this new dedication on (American) Father’s Day.

The tour overall has not changed but what has is, understandably, Ronnie himself. It wouldn’t have been honest to leave out the fact that he is an undeserving victim of this country’s disease and, in any case, he doesn’t posit himself as so. If anything, this sole subjective part makes him an intrinsic example of the Lebanese experience. It is what makes Ronnie’s tour all the more powerful, all the more brave, and all the more admirable: that his pain is collateral damage interwoven in the very story he’s reciting and yet that love is unwavering.

Ronnie & I suffer from the same affliction: an undeniable, unrequited love for a country currently and somewhat perpetually in retrograde. But hey, it’s comforting when you find out you’re not the only one.

Ronnie’s leaving on July 1st and might be back in September to keep it going so if you would like to join a tour, sign up soon. There are only two Sundays left for $20/person. A donation will be sent to the Mohamad Chatah Internship Program at the Grand Serail with every ticket purchased.

Slow Down, Sip, Savor

IMG_2041Each weekend that I’ve escaped the city and the confinement of my supermarket’s warehouse has emphasized how voracious I am for pause and sunlight. Winery hopping, for me, is not about a profligate’s drunken afternoons; I get a sense of calm when walking through vineyards. The way the tendrils of the vines wrap around the trellises. The way the soil sinks beneath my feet. The way blocks are aligned systematically by grape but the clouds, weeds, and deer don’t care. The way each bottle’s contents can tell you what happened that year, historically and in the ground. The natural progress of a vine and the desire to pump out millennial-targeted gallons of fruit-forward elixirs is the simulacrum of our impatience for growth. I’m reading this book and there’s an excerpt that nailed what wine, beyond being a time capsule, does:

“Hell, wine teaches us this. If we’d only listen. It teaches us to take things as they come. In the vineyard, but also in the glass. Slow down, sip, savor.”

We forgot, or maybe just I forgot, how to do this. Even my writing – which has been a mental stretching exercise that allows my thoughts to flow into digital tributaries and gives me a sense of personal decompression – has taken a backseat to the barrage of professional epithets on my attention span. My mind is so tangled, so terrorized, poked and prodded like a dead jellyfish carcass sprawled out on the sand or trapped in a shallow tide pool. It feels good to type again.

Even in these strangely, wet summer days, the curvy, sexy silhouette of glass bottles coated in condensation gives me a second of focus. Watching a drop of water slide down the neck of foggy existence makes the world around it freeze for half a minute, like when your autofocus blurs the surroundings enveloping your subject.



The death of Anthony Bourdain, world-traveling foodie storyteller of the page and screen, has stung deeper than expected given our mentorship was rooted in my imagination. I’ve been pouring over articles written by and about him and podcasts that commemorate his raw soul. Those that ask questions about suicide, excess, hospitality, and happiness. Even in his passing, he explores layers of the human condition that we have yet to understand and introduces bridges to the unknown that we haven’t had the courage to cross.

Sharing a meal or a glass of wine can bring about the feel of coming home. Eating a fried ball of kibbeh dunked in molasses left over from the plate of marinated soujok or a winemaker’s latest white whom they treat like they’re introducing their child to the outside world, a parent letting go of their baby’s hand before they walk into their first day of preschool. Their children need time to mature while they’re out there unarmored. Let it lay down refers to how a bottle needs to rest for years for the complexity to find its place, let it breathe to give it time in its environment, give it a sense of where it now is. It’s about patience for that unfolding, that extraction of pleasure that can come from touching every edge of a carafe, more surface area of discovery. Maybe each of us is a bottle that needs to lay down, that needs to breathe, that needs to be consumed by another in order to come home.


If you need to talk to someone, we have a suicide prevention hotline.
If in Lebanon, call 1564. If in the US, call 800-273-TALK (8255).

Thoughts from a First-Time Voter


Unlike most of my graduating class who hit 30 this year without ever exercising their right to vote, in the last parliamentary elections of June 2009, I was eligible to vote having turned 21 in February of that year. But I didn’t. At the time, it felt like my vote in the South would be useless. For many in the Jnoub, my extended family included, Hezballah – like other parties across the country – provided wherever the State itself failed and that resulted in unshakeable loyalty. The kind that can still excuse all the humanitarian injustices that have come after. It wasn’t a voting process for me when there were no alternatives to the ones that had always held power. Plus, I didn’t even live there.

What would my vote do beyond waste paper and gas?
Up until a few weeks ago, I still thought that way.

The only time I’ve voted was for our student representatives in AUB SRC elections and, even then, when my friend wanted to run as an independent, he had to ally himself with the bigger parties’ lists just to win votes by association. The university elections are seen as a microcosm of the state of the country’s current highly educated voters and there you had it: independents couldn’t even run alone, much less win. But that was 10 years ago.

Flashbacks of the Beirut municipality elections reminded me of when I worked with Beirut Madinati FOR ONE DAY, and how much that day reignited the dying embers of hope and the need to take action versus talking about others taking action for me. The simple, “vote or don’t complain” is solid. We are stripped of all nagging rights if we don’t exercise the one that can lead to actual change, even if it’s the illusion of it.

And then, a friend told me we have an independent list in the South.

The photos of my migrated friends’ purple thumbs say that they want a home to come back to, that they haven’t let go just because they’ve left, that they remember what forced them to seek other shores, that they too believe in the power of their voice.
Perhaps foolishly, I feel like my vote matters even when I’m not casting it in Beirut, the city where I live and (try to) breathe. Dare I say it, it may have more power to prove to others that times have changed if it’s placed in the South where Amal/Hezballah roots run deep. If anything at all, my vote will mean I did not genuflect at the altar of complacency and corruption.

It began with Beirut Madinati proving that these lists could exist despite the fact that they lost. Here we are, two years since then, with full lists comprised of sixty-six fresh faces going for parliament. In these final hours, don’t forget or forgive what we’ve been through for the last decade.



Still from the series, Westworld

There are alternatives and that in itself is progress that shouldn’t be overlooked. There are angry people who don’t want this path for their country but there is no deus ex machina in this narrative, there is only our vote. There are the privileged who can afford to say no to bribes, sacrifice an afternoon for a ballot, and thus, start to shift the tide for those who can’t. I don’t expect the independents to win but just one seat for us can put a hole in their yachts anchored at Zaitunay Bay. With each round of votes, their vessels will fill with the stagnated water they’ve left us in.

As far as nations go, Lebanon is still an infant but her first steps have to start somewhere. We won’t get there this Sunday and we may not get there in another 4 years. She won’t run across the finish line in a fortnight but I’m willing to crawl if it still gets us to where we need to be because Lebanon won’t be a toddler forever. One of these days, she’s going to be a grown woman and we all know you can’t mess with one of those.